It was inevitable he would pose the question. My son Josh is college-bound in the fall and when to my surprise he expressed interest in my alma mater, the University of Massachusetts at Amherst, I gladly took him for a visit. We weren’t there long before he dished up the expected query. “What was it like
when you were here?” Reaching back over thirty-five years, I reminisced about buildings old and new, my work for the commissary, courses on astronomy and seventeenth century British literature, bell bottom jeans and paisley shirts, country rock, and the anger and upset as the Vietnam War convulsed to conclusion. But with memories growing thin, I took him to a place in the center of town that might conjure more.
On the redbrick wall of the Amherst Cinema Building on Amity Street are scrawled two phrases in white paint. “Save the Drake,” reads one. “For Willy, for Humanity!” reads the other. Graffiti is typically a statement of the moment whose meaning dims faster than the paint. Often it gets covered over or slowly fades like an urban ghost sign. But strangely, these barely washed out words have persisted since at least the late 1990s.